Archive for popular culture

Working for our daily bread

Lord's Prayer postcard printed by P. Sander, NY. 1908

Lord’s Prayer postcard
printed by P. Sander, NY.
1908

 

Today is a snow day, but before I get suited up for shoveling the white stuff, I’ll share a bit of Christian material culture that I picked up last week.

This postcard is one of a series printed in 1908 by Philip Sander. Postcard sets of The Lord’s Prayer and The Ten Commandments were popular during the early 20th century. Each card would depict a different petition or commandment so that a person could collect or send the entire set.

Such cards are still fairly common out in the world of ephemera collectors, and you can pick them up for not too much money if you’re interested. I’m fascinated by the way they reveal the values and assumptions of religious people in an earlier age. With one foot in the world of religion and the other in the world of commerce, these cards may not show the church’s official positions, but as images that were marketed and purchased, they can tell us a lot. A successful postcard has an easily understood, high-impact image. A viewer ought to be able to take it all in quickly and feel something that makes them want to share (that is, buy and send) the postcard. They’re are a lot like today’s social media in that respect.

I was drawn to this particular postcard because, instead of showing us people eating, this one presents two different ways to earn our daily bread. It’s more complicated than just “provide us food.” There’s the farmer harvesting wheat, and the businessman talking on the phone with factories that are likely intended to represent flour mills in the background. It’s a country life/city life juxtaposition that speaks to the urbanization of America which had been taking place since the 19th century; and it unites the two men by depicting the farm-to-mill chain of production.

Unlike the pictures of people saying grace at the table (which are often quite lovely), or the sentimental images of angels feeding destitute children, this Lord’s Prayer postcard clearly shows people working for their daily bread. “Give us our daily bread” becomes “Reward our daily labors with bread.” The card doesn’t tug at the heart strings, but it does convey the ideas that “work is noble” and “work is important.” It all feels very American and very Protestant.

There’s a lot to like about this card, though I can’t really call it art. The curls on the dividing line are a nice touch that give an impression of time, and I like all the detailed office supplies on the desk. And then there are the roses on the windowsill adding a touch of beauty to that skyline of factory smoke!

 

The Promise Box

Our Daily Bread Promise Box

Our Daily Bread
Promise Box

 

Return thanks. Say your prayers. Read your Bible everyday.

One of our great tasks as faithful people is to be always mindful of God and his promises. We teach them diligently to our children. We talk of them when we sit in our houses and walk by the way, when we lie down and when we rise. We try to establish good spiritual habits, memorize prayers and scripture, learn a few hymns. We want faith to be as natural as breathing.

The Promise Box is one of the tools Christians have developed to aid spiritual growth. The idea is simple: a box filled with cards or slips of paper printed with Bible verses. Each day you draw a different card to read, mark, and inwardly digest. The purpose is serious, but the practice is enjoyable. It’s a bit like opening a fortune cookie or a birthday present: you never know exactly what you’ll get. As you reach for the card you wonder, “What message does God have for me today?”

The Promise Box that’s most familiar to me is a little plastic loaf of bread filled with different colored cards. The box usually has the words “Our Daily Bread” on it, though I have seen pictures of a “Bread of Life” box. The “bread” in the title is a New Testament reference, intended to remind us of Jesus and the Lord’s Prayer.

I remember seeing these loaves in people’s kitchens growing up. We didn’t have one, but to a child, a plastic bread loaf is a wonder to be remembered. The other day, for some unknown reason, I went hunting online, found one for sale (which I bought), and I also found an interesting variation that I’d never seen before. (I bought that one too.) They have become food for thought.

 

Honey in the Rock

Honey in the Rock
Gospel Text Line
Seymour, Indiana

 

My second Promise Box is a plastic rock. The phrase “Honey in the Rock” stamped in gold on the side comes from Psalm 81 and Deuteronomy 32–but I believe the sense of it comes from Psalm 119:

How sweet are Your words to my taste! Yes, sweeter than honey to my mouth!

and from Ezekiel 3:

“Son of man, eat this scroll that I give you and fill your stomach with it.” Then I ate it; and it was in my mouth as sweet as honey.

Honey in the Rock has colored cards similar to the Daily Bread, but like the name it’s a bit less austere. The cards are printed with scripture verses on one side and what seem to be hymn lyrics on the other. I don’t recognize many of the hymn lyrics, and their poetry seems old-fashioned, so I suspect they were familiar to a previous generation. (Of course, it could be a reprint of old cards in a new box, the sort of thing that happens when one company buys out another.) My Honey in the Rock was made by the Gospel Text Line Company of Seymour, Indiana (about which I know almost nothing). I’m guessing it dates from the late 1950s or early 1960s.

Now I had a loaf and a rock. My interest was piqued. I realized there was more to the Promise Box than bread alone, so I did what I always do: I went searching online, and I was able to trace the Promise Box as far back as the Victorian era. I’ll be keeping my eyes open for more examples, but let me share what I’ve found so far.

In the 1940s, Zondervan put out a Daily Manna Promise Box. Once again the product name varies, but emphasizes our need for nourishment and God’s promise to supply our needs. Calling to mind Deutronomy 8:1-3 the Zondervan box also links our need to the word of God: “man shall not live by bread alone.” The Daily Manna Promise Box contains the familiar colored cards (which must have been designed to appeal to consumers), here printed with scripture and “choice poems.” The addition of poetry, like the hymns, creates more obviously devotional experience than the simple scripture verse of the Daily Bread. There’s a verse to memorize and a sort of poetic commentary for meditation. Directions for use are included.

Daily manna promise box 1940s Zondervan

Daily Manna Promise Box
Zondervan, 1940s

Daily manna scripture cards

 

Daily manna directions for use

“Directions for use: This box contains 200 Precious Promises with accompanying appropriate bits of verse. These cards may be read at every meal, during social gatherings, in study groups, etc. Use these cards to memorize the rich portions of God’s Word.”

 

Having made my way to the pre-plastic age, I kept up my online search. The oldest promise box I could find was created by Pickering and Inglis, a Glasgow-based firm, publishing largely for the non conformist church in Scotland with many Brethren publications. These lovely examples come from the early 1900s. They’re called “Golden Grain: Precious Promises Gleaned from the Word of God” and the name reminded me of Jean-François Millet’s Gleaners (1857).

 

640px-Jean-François_Millet_-_Gleaners_-_Google_Art_Project_2

 

The Golden Grain box was filled with tiny scrolls and came with an instruction card and a delicate pair of tweezers to remove the scrolls.

“Golden Grain Promise Box- A careful selection of Precious Promises from the Word of God for the comfort, cheer and guidance of His Own. Pick out one of the rolls, read and commit to memory the promise, then replace in box. Can be used at morning and evening worship, at any meal table or family gathering, in small Bible Class or Social Company, in Hospital or Infirmary, in private, or in many other ways.”

Golden Grain Precious Promises Pickering Inglis

 

Golden Grain Precious Promises sample

 

Golden Grain Promise Box with tongs

 

Golden Grain Promise box yellow red

 

So that’s I’ve learned about the history of the Promise Box, and now you know it too. But why, you may ask, did I lead you down this rabbit hole? Because I’m fascinated by the idea that a bit of Christian whimsy–almost Christian kitsch–has a serious history. An I think it’s worth asking, if a plastic loaf of bread filled with Bible verses is meaningful to someone, what does it mean?

Each of these objects is clearly a Promise Boxes, but they are not the same. “Be nourished by God’s Word” they all say, but some Promise Boxes allow for personal reflection stimulated by human words as well as scripture. Some are a bit silly. All are meant to be enjoyed, and all of them bring religious instruction and devotion into the home, and frequently to the kitchen and to the table where the family gathers.

Like an Advent calendar, the Promise Box is a motivator to mindfulness. Happily, it’s not a box of pills–“take one a day for good spiritual health”–it’s a box of promises, designed to comfort, cheer, and guide us. It has a game-like quality. And it’s a great idea that’s lasted over a hundred years.

 

Post script: I was musing over lunch about the multicolored cards, and thinking about how only recently had the palette changed to slightly more neon shades. Why had the colors remained so constant over many years? What did they mean? Then, with a characteristic flash of insight, my husband pointed out that the cards were a rainbow and so a reminder to us and to God of his great promise:

 

I am going to make a solemn promise to you and to everyone who will live after you. This includes the birds and the animals that came out of the boat. I promise every living creature that the earth and those living on it will never again be destroyed by a flood.

The rainbow that I have put in the sky will be my sign to you and to every living creature on earth. It will remind you that I will keep this promise forever. When I send clouds over the earth, and a rainbow appears in the sky, I will remember my promise to you and to all other living creatures. Never again will I let floodwaters destroy all life. When I see the rainbow in the sky, I will always remember the promise that I have made to every living creature. The rainbow will be the sign of that solemn promise.

 Genesis 9

Sister Rose of Sundance

 

I’ve been thinking a lot about movies lately, and this morning a friend pointed me to an article about Sister Rose of the Daughters of St. Paul, a movie critic and blogger.  In the New York Times story,  “Acting as a Mediator at the Crossroads of Faith and Film,”  writer Samuel G. Freedman notes,

Sister Rose was serving not as a sentry protecting religious belief from cinematic product, but rather as a mediator helping to explain one to the other. As such, she embodies a departure both from the religious temptation to police popular culture, in the manner of the Roman Catholic Church’s now-defunct Legion of Decency, and the effort in fundamentalist circles to create a parallel universe of theologically safe movies, television and music.

“To paraphrase a Gospel passage, Christ came into the world to redeem the culture, not to condemn it,” Sister Rose, 61, said in an interview here. “It’s a negotiation. You don’t give everything a free pass. Something has to come out of your convictions and values. But what matters isn’t what the movie contains, but what it means.”

 

The world is such a messy place, and the road to Wisdom is a long one. Like Peter in Joppa, it can be so difficult to know what to eat, how to respond to what appears before us. (I always hear him asking God, “Is this a trick question?”)  How can we learn to truly prefer and choose what is good?  Sister Rose is one of the people engaging that question.  Another example of the “sorting” John Milton talks about in Aeropagitica when he says, “what wisdom can there be to choose, what continence to forbear without the knowledge of evil?”

Feast day of St. Luke

 

St. Luke window
University of Virginia chapel

Detail from St. Luke window
University of Virginia chapel

 

 

One of the four evangelists, Luke is said to be the first icon painter and the artist who painted pictures of Mary and the infant Jesus.  His symbol is the ox, an image taken from the vision of the four living creatures who draw God’s chariot in Ezekiel 1 and Rev. 4: 6b-11. You can see a portrait of the Virgin Mary in his arms here, and the image of the ox. Luke was also a physician, and the caduceus appears on the right side of the window.

Salvation Mountain

View from Mount Sinai
Image released to public domain via Wikipedia

 

There’s something about God and mountains–or maybe there’s something about people and mountains. Whatever the truth, you can find a lot of high places in the Bible, raising humans above the everyday and opening them to the presence of God. Think: Noah on Ararat, Moses ascending Sinai, Jesus’ Transfiguration, and the psalmist lifting up eyes to the hills.  So perhaps it’s not surprising that there exits a place in the lower desert of Southern California called Salvation Mountain.

Salvation Mountain is an art installation, and a highly personal and expression of faith created by Leonard Knight. Knight’s goal was simple, to proclaim the message “God is Love.” The site is monumental, reflecting both the greatness of God’s love and the intensity of Knight’s passion. And it’s quirky, giving us the opportunity to stand in the shoes of some of Noah’s neighbor’s for just a bit. You can explore the mountain further through photojournalist Aaron Huey’s beautiful, compelling pictorial essay.

 

Salvation Mountain
Wikimedia Commons; photo by Joe Decruyemaere licensed under Creative Commons Attribution-Share Alike 2.0